The Professional's Choice for Creative Editorial
Discover Media Composer | Ultimate
Media Composer는 미디어 및 엔터테인먼트 업계에서 가장 많이 사용되는 비디오 편집 소프트웨어로서 4K UHD고해상도, HDR 및 HD 워크 플로우를 가속화합니다. Media Composer | Ultimate (이전의 Media Composer)는 편집 공동 작업 및 MediaCentral 환경을 위해 설계되었으므로 Media Composer 소프트웨어 모든 옵션을 사용해 작업 Workflow를 가속화하십시오
With the all-new titling tool, it’s now easier to create everything from simple high-res titles, to eye-catching 4K words of art that’ll draw viewers in to reading. Simply click the new titling tool icon (T+) and start typing directly in the record monitor. Because titles now act as effects (no media is created) and are resolution independent, they can be applied to any clip or track and saved as templates to a bin for easy drag-and-drop reuse.
Media Composer offers tons of updates and improvements to its entire multicam editing workflow, saving you time and money while providing a better user experience. From the ability to create groups directly from sequences, to making adjustments to multiple clips with mixed frame rates in real time, you can spend less time on prep work and get right to the creative aspects of editing faster.
Forget about waiting for bins to save. In response to our ACA members’ #1 feature request, Media Composer now automatically saves bins in the background, so you can keep editing without interruption. Maximize your creative time while eliminating the risk of losing your hard work and important data.
Need to adjust color on a specific part of an image separately from the image’s overall color grade? With new shape-based color correction in the Media Composer | Symphony Option, available as a subscription and included with Media Composer | Ultimate, you can isolate an area for independent adjustment by creating a shape layer, which draws a matte. Choose a preset shape or draw your own. You can also create multiple shapes in the same layer, isolate by Luma and Chroma values, and do serial and parallel correction, giving you tons of creative flexibility.
Experience a faster, smoother workflow when playing and editing DPX files in the timeline. With many performance improvements made under the hood, you can work with the uncompressed media more efficiently and turn around a higher volume of high-res, high-quality content faster. And because you can work directly with DPX files in real time, there’s no need to transcode formats or relink media.
Got a powerful computer? You can now take full advantage of your CPU's power and play back complex video sequences with multiple video tracks, images, and picture-in-picture effects in their entirety, without any limitation to the number of playback streams (up to the maximum power capabilities of your computer's processing performance).
When doing color and effects work, you want as much image depth, detail, and color precision as possible for the best results. Media Composer now supports uncompressed DNxHR and DNxHD video resolutions with the new Avid DNxUncompressed codec. This new 32-bit format can be used for import, transcode, mixdown, and render, enabling you to work with camera originals and apply and render color corrections and VFX while maintaining the full bit depth of the media.
You can now perform even more tasks in the timeline as clips continue to play, without interrupting playback. Solo and mute audio in any track. Adjust gain levels of any selected clip. Add timeline markers with the press of an Add Marker button in the interface or a mapped keyboard key. And control how you want the Edit Marker window to display.
Working with DPX files? Media Composer now exports DPX files up to 10x faster than before, greatly speeding up your finishing, packaging, and delivery workflows.
With new 16K project presets, you can now write and play back 16K media in their native project types. Boost your creative capabilities with support for more high frame rates and freedom from stream count limitations. And create hyper-realistic 3D and 360 VR content, as well as dramatic slow-motion sequences, with support for 120 fps video, minimizing blur and motion artifacts.
Got an NDI (Network Device Interface) device? You can now send audio and video from Media Composer to any NDI-aware device over your local network. It’s ideal for simplifying the review and approval process and minimizes costs by leveraging your existing Ethernet infrastructure.
Forget having to re-export an entire sequence just to make a small edit. You can now quickly replace any portion of a previously exported iFrame, XAVC-I, or OP1a DNxHD or DNxHR video file—similar to splicing into film or overwriting tape, but with a digital file. In addition, you can export XDCAM MXF OP1a files to speed your workflow.
No need to stop and restart video playback to perform certain actions. Media Composer now enables you to access menus, reveal tool tips and highlights, switch applications, zoom in and out of the timeline, add and remove bins, expand and collapse folder views, add and adjust columns, and do much more—all without disrupting playback. With more capabilities coming soon.
Media Composer includes several new enhancements and improvements that put more flow into your workflow. Freely resize your Composer window to any dimension and aspect ratio that suits your needs. Show and hide fields and groups to streamline your view. And more.
Designed for editorial teams and those who work collaboratively within a MediaCentral environment, Media Composer | Ultimate (formerly Media Composer—learn more) provides all the same real-time, integrated workflows you know and love, but offers even more value. You also get access to Media Composer | PhraseFind, ScriptSync, Symphony, and NewsCutter included with your 1-, 2-, or 3-year subscription.
For small editorial teams working with Avid NEXIS, MediaCentral | Editorial Management offers an easy and cost-effective way to manage and share Media Composer projects and media, as well as integrate editing workflows with Adobe Premiere. offers an easy and cost-effective way to manage and share Media Composer projects and media, as well as integrate editing workflows with Adobe Premiere.
With support for four real-time streams of XAVC-I media, Media Composer delivers greater performance with high-res media, so you can spend less time rendering or transcoding media to lower resolutions.
Deliver your best stories
There’s a reason why more professional moviemakers and television editors use Media Composer than any other video editing solution—it gives you the editing and finishing speed you need to complete projects faster. From its ACE-certified tools and unique timesaving workflows, to the most reliable media management in the biz, Media Composer empowers creative storytelling like no other.
Collaborate with anyone, anywhere
When it’s crunch time, collaboration is key. Media Composer | Ultimate (formerly Media Composer) makes it a breeze. Share media, projects, and bins to complete projects faster, together. Share assets locally and remotely with Avid NEXIS. Collaborate with other Media Composer, MediaCentral | Editorial Management, MediaCentral | Production Management, Final Cut Pro, and Premiere Pro editors and contributors. And extend real-time production everywhere with Media Composer | Cloud Remote.
SD and HD. 2K through 8K and beyond. Even stereoscopic 3D and HDR. No matter what media you’ve got, Media Composer welcomes the widest range of file/camera formats, codecs, and resolutions, so you can acquire and turn around content faster. Without copying or transcoding media first. Whether you’ve got footage in a camera, media drive, smartphone, or video server, bringing your story together is easy.
Get beauty without the wait
It’s no secret that high-resolution, high frame rate media can put the brakes on any workflow. Media Composer eliminates these bottlenecks, offering powerful 64-bit performance, groundbreaking Avid DNxHR and Avid Resolution Independence technologies, plus background rendering and transcoding, to keep your media and creativity flowing.
Gain great efficiency
Experience the fastest editorial workflows in the industry. Instantly access and edit file-based media without transcoding or copying media. Build stories with up to 24 video tracks. Preview clips before committing them to a project. Edit multicam projects with ease. Even automate non-creative media tasks—such as transcoding, consolidating, and relinking—in the background using Dynamic Media Folders.
Find the best takes and right clips fast
Editing a movie, TV show, or interview? Save hours of clip searching time with two powerful solutions included with Media Composer | Ultimate. Find the best takes fast with the Media Composer | ScriptSync Option, which analyzes all clip dialog in your project, then syncs all relevant clips to the script. For dialog-heavy productions, the Media Composer | PhraseFind Option indexes all clip dialog, so you can find all relevant clips in seconds by typing a keyword or phrase.
Get reliable media management
Media Composer keeps track of all projects, source material, rendered files, metadata, and other media for you, so you’ll never lose sight of your assets. Gain peace of mind with over 20 years of industry-proven media management innovation supporting everything you do.
Design stunning visuals
Add dramatic flair to your stories with a host of built-in effects, color, and title tools. From creating jaw-dropping VFX, green screen composites, motion effects, and transitions, to correcting color, tinting scenes, and designing graphical titles and animations, it’s easy to give your projects that professional polish.
Work in HDR
With support for a variety of High Dynamic Range (HDR) color specs, profiles, and workflows, Media Composer enables you to color grade video and achieve richer, more dramatic imagery, with exceptional detail in the shadows and highlights. It’s a fast-growing technology—and an important way to future-proof your valuable content.
Extend your workflow
Media Composer | Ultimate includes the Media Composer | Symphony Option, providing advanced and secondary color correction tools and Universal Mastering to finish and deliver projects. It also comes with the Media Composer | NewsCutter Option, making it easy to integrate with MediaCentral | Newsroom Management, iNEWS, and other ENPS for streamlined news editing (Windows only).
Create studio-quality soundtracks
Sound is half the picture. With Media Composer, you can make your projects sound as good as they look. Record, edit, and mix up to 64 audio tracks in 7.1 surround. Create groups to mix dialog, Foley, music, and sound effects more easily. And polish soundtracks using the same high-quality audio effects and sound processors that come with Pro Tools.
Expand your creative possibilities
Don’t have the footage or effects you need? Shop the in-app Avid Marketplace—no shoes, shirt, or pants required. Preview stock footage in context with your project. Purchase plugins, software options, and hardware to extend your capabilities. You’ll even find training material to help advance your editing skills.
Get the Avid hardware advantage
Looking for the fastest way to capture, monitor, and output high-quality video? Pair Media Composer with an Avid Artist interface and get the tight integration you need to handle the most demanding workflows—from portable 4K interfaces, to solutions that offer an extensive array of I/O or video over IP. You can also use third-party interfaces through Avid Open I/O.
Run Media Composer virtually
For broadcasters and media enterprises, Media Composer | Ultimate is available as a “virtual” license that runs on a single server, enabling multiple editors to access the software and projects remotely using an Internet-connected computer or zero client. Not only will you save time on software deployment and upgrades, you get more access flexibility and easier management.